This show, unlike Catch and other Beers working-man shows, doesn’t have an element of competition between different crews it’s also more inherently contrived. The show comes from producer Thom Beers, who made the hit Deadliest Catch for Discovery.
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And they’re immediately left to figure out problems like how to purify water (filter through sand and charcoal, then boil) and how to force a toilet to flush. They are allowed to scavenge supplies from an abandoned department store, then have some of the supplies stolen in turn. They hunker down inside gangs (played by actors) roam outside and threaten to steal their resources. In The Colony’s scenario, the group is stuck without water or electricity in an 80,000-foot Los Angeles warehouse.
It also draws on an old strain of reality-TV entertainment: it’s sort of Survivor, but stripped of the metaphor, the Tribal Council, and the bikini-friendly tropical settings. Without warning, the world as we know it can come to an end.” Thanks for the reminder! “Human conflict, nuclear bombs, natural disasters, chemical and biological warfare. It draws on (and references) recent news fears: “We are on the edge of a global catastrophic disaster,” it begins.
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The series fits into a vogue for apocalyptic stories, lately represented by Jericho, 2012, Knowing, upcoming TV series like Day One and the Cormac McCarthy novel and upcoming movie The Road. There is no actual cannibalism in The Colony, only the cannibalism of pop-cultural tropes. The rest of us? Well, our soft, little-used muscles would probably make tender eating. There are engineers, a nurse, a machinist, a handyman, a doctor. The series, which throws together 10 people to survive holed up in a warehouse after a simulated epidemic has destroyed civilization, chooses a group of people whose skills and knowledge would have special use in this Road Warrior world. Tension between colony leaders over how to deal with their sick (a great deal is made over group rules that allow them to choose the method of their death) generates only superficial tension before the cannibals come knocking.Follow first thing a TV critic notices watching the post-apocalyptic-scenario reality show The Colony (debuts tonight on Discovery) is how little use there is for TV criticism in a postapocalyptic scenario.
(They also file their teeth to fine points, though this fact has been better exposed in recent years.) Devoid of menacing intellect, the feral humans are just chase-and-chomp machines, well suited for action sequences that always seem to take place in rooms illuminated by shorting-out electric light or flickering flame.ĬGI depictions of newly ice-covered cities are unconvincing, though a central standoff on a falling-apart bridge works reasonably well. Here’s a little known fact: When humans turn to cannibalism in an ice-age scenario, they lose the capacity for speech, instead communicating grumpiness in a language of threatening wheezy noises. As the search party races back home, their footprints are a convenient map to the flesh-eaters’ next windfall.
But there’s no one to rescue at the end of their trek through the snow - just a band of cannibals who discovered this bunker and have turned its inhabitants into a banquet. When a distress call comes in from Colony 5, Briggs (Fishburne) takes Sam ( Kevin Zegers) along in his rescue team.